25.16
Trish is juggling her abstract ideas. She is ignorant of the
individual. She is measuring the patterns in the crop circles. Trish is a great
fish out of water. She flops from side to side creating her reality. I cut her
open and remove her air sack. Now she just floats down to the bottom. She is an
animal trying to remember human speech. She has grown legs and crawls up out of
the water. She has found that it is not always necessary to forgive others
although she has forgiven me every time. My love for her was a bullet that went
astray. It had something to do with her compassion for all the living
creatures. She saw beauty in all of the evil. The evil is defined by our life
as a machine. We crush the bones of the weak underneath us. We want only that
which is impossible. We are timeless and eternal. Trish could not reconcile
herself with the world so she turned the world upside down. She created a
fiction to help pass the time away. This story she created helped to adjust the
world to her. Now the world did not consider her peculiarities as strange and
dangerous. Now the world took her in as one of its own. She was the lost child
who was found. She was the little lamb that was brought back to the fold. Trish
is a piece of art like any other art. Her underlying theme is salvation. The
symbols by which she relates herself to the world are exhausted. She detaches
the horse from the frame and it hides itself high up in the chandelier. We
tried to coax it down, but it was too afraid. This is far more real than
reality. The motorized sex borrowed from Darwin. He set up his camera and took
precise measurements. We named the horse war and folded it up and put it away
for death. Trish dug the trenches around the building and turned on the hose to
fill them with water. I see the emergence of this great new empire of darkness.
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